Flight off the Concourse
Photographer Kieran Doherty in Dubai
While waiting for the sun to set on a snowy Stonehenge, I received a phone call from Tim, ’Do you fancy an eight day trip to Dubai to shoot a story on an urban falconer?’ When someone asks you that question as you are sitting in minus 10 degrees cold, there is really only one answer. So two days later I arrived in Dubai to meet Human Planetʼs Urban team, consisting of Mark Flowers, producer/director, Mark MacEwen, cameraman, the invaluable Andrea Jones, production co-ordinator and Julia Wheeler, the BBCʼs middle east correspondent.
Dubai... Science fact
Hereʼs an interesting fact. One third of all the worldʼs construction cranes are currently in Dubai. I imagine itʼs every architectʼs dream to design a building for Dubai. They come in all shapes and sizes. Everywhere you look you can see office blocks, skyscrapers, apartments with penthouses that have swimming pools on the 47th floor. Hotels have motorised gondolas to ferry you from one part of the complex to another. Lamborghinis, Ferraris, Verons and Bentleys sit parked outside hotel lobbies. I felt a bit like Jim Carreyʼs character in the Truman Show. Is all this real? Maybe this is the Dubai experience everyone was telling me about? Stepping inside the 7 star Burj LʼArab hotel was just that… Fountains filled with glycerine so that the water doesnʼt separate when it arcs everywhere. Forty seven sushi chefs in the Japanese restaurant alone… Well believe it or not, even with all this wealth, technology and state of the art know how, Dubai still suffers from pigeon infestation and there is only one way to clear them out properly.
Did someone say pigeon?
This story centred around falconer David Stead, and the schedule of sequences required by the team were too numerous to mention, suffice to say that David probably experienced what it feels like to be George Clooney. Every format of camera angle was afforded him, from helicopter cineflex to steadicam, crane, car mount and tripod… I just had to shoot the stills.
And so for the next six days we rose with the light and shot David flying his beautiful falcons against the impressive skyscraper backdrop that is Dubai. Falcons are the fastest birds of prey in the world, so filming and shooting them mid flight was fraught with difficulties. Trying to keep focus with a hand held 400mm lens on a bird that drops out of the sky at over 100 mph is pretty full on. And I had it easy compared to cameraman Mark, who was having to operate his camera on a tripod. These birds are like thoroughbred horses and can tire very quickly while being directed for the film crew. If we averaged about 4 minutes air time per bird, a day’s shooting could be over in just a quarter of an hour. Each falcon had a personality that kept us all entertained.
David is the most extraordinary of falconers, a man who cares passionately about his birds and their welfare. His ability to control them while they are flying has to be seen to be believed. On our final afternoon of filming, we witnessed Nimr disappearing for almost two and a half hours while she devoured a pigeon squab, only for her to return to David in almost complete darkness, something that had never been done before. This in itself was a very special moment as eye contact and visibility is paramount between falcon and handler.
We were also lucky enough to ascend the Burj Khalifa, the tallest man made structure (at almost 3000 ft ) in the world. So if you are squeamish about heights…..look away now.
... and this isn't even the top
The last time I worked with a camera crew was in Baghdad while covering the immediate fallout from the Iraq war. This assignment was totally different in every sense but both camera crews strived for the same goal… To tell the story. The rushes looked amazing and I would like to take this opportunity to thank the Urban team for allowing me to poke my lens in, around and under them all as they were filming, and of course to David and his sporting cast of falcons.
Breaking the ice
Photographer Kieran Doherty in Canada
In February and March each year, Canada’s capital city Ottawa, in partnership with the Rideau Valley Conservation Authority, undertakes ice breaking and clearing operations along the Rideau River between Rideau Falls and Hogs Back. This allows water to flow unrestricted and it alleviates potential spring flooding in flood-prone areas. So together with Human Planet Rivers team director Ciaran Flannery, technical wizard Patrick Murray and cinematographer Gerry Dawson, we set out to document this amazing spectacle. We first met the men who operate the Amphibex, which is pretty much a JCB that floats on water. This machine can dredge, gouge and crush anything on water and it was tasked with breaking the ice at the bottom of the falls so that when the controlled explosions further up the river take place, the avalanche of ice that is carried down stream actually has somewhere to go.
The ice men cometh
At the base of the falls is the Ottawa river here the ice is around 3 meters deep . The idea was for the Amphibex to clear away the ice from here but today it broke down. Tomorrow, the explosives will be set on the Rideau river at the top of the falls, and seven miles of ice will come crashing through the opened sluice gates, piling on top of the ice you can see here. In previous years this has resulted in a mountain of ice piling up as high as the falls themselves and stretching out 500 yards across the river. 2010 however, is unique. Ice dam workers have never experienced such high temperatures at this time of year. The Ottawa river ice is melting and opening up very quickly, which means the residue ice coming over the falls should clear very quickly.
. . .
A 50 foot crane arm was used for this picture that gives an overview of the Rideau river dam as it meets the Ottawa river. The crane was manually operated with incredible dexterity by Brad Irwin and Tyler Frysby who were able to place the remotely operated camera attached to the end of it to within an inch of where specialist remote (hothead)…that is technical terminology…. operator Brian Morris wanted it. I decided to attach a stills camera with a manual 24mm lens onto the end of the arm. Using a pre focused manual exposure with the Nikon intervalometer, I was able to set the camera to shoot one frame every five seconds. Brian was able to view everything his camera could see via his monitor. We would line up the shot director Ciaran Flannery wanted and I would then mirror my camera angle to the hothead camera angle and away we went. It’s important to remember here that the film takes priority over any stills, so to have these three pros allow me the freedom I had was really exceptional. Although it was pretty much a hit and miss affair for my stills, I came away with some shots that are just physically impossible to achieve any other way. A huge thank you to Brian, Brad and Tyler for their patience in helping the crew achieve some truly stunning footage.
The next stage of the process after channels have been cut in the ice, is to drill holes for the explosives. Sticks of dynamite that really do resemble the Acme ones we used to see the Wily Coyote use to no avail against the Roadrunner, are then strategically dropped through the holes into the river to maximum effect. Fortunately these experts have far more success than the hapless coyote.
However this visual feast of amphibexes carving out flow channels in the Ottawa river, buzz saws cutting 50 metre blast channels, dynamite, explosions and mountains of ice flowing downstream just doesn’t happen by itself. It requires a dedicated team to pull this off. They are a handful of city of Ottawa workers who are each specialists not only in their knowledge of the flowing water of both the Ottawa and Rideau rivers, but in ice dams, heavy duty machine cutting, dynamite explosives and above all, safety. These men take to the ice every year and are passionate about the job that they do. In temperatures as cold as -20 these men will be out on the ice doing what they do best. You could almost say that it is a labour of love.
Who else would be working, let alone under such conditions, while the remaining 26 million Canadians were witnessing their Ice Hockey team making history at the Olympics in Vancouver? The camaraderie and sense of humour these men share is infectious. They keep each other entertained on the ice but never once will their focus waver during this dangerous job. They do all this and readily accommodate a demanding BBC film crew? It is consummate Canadian professionalism at its finest.
... with glowing hearts
